GILLY DISCUSSES X MORE FUN IN THE NEW WORLD ON YOU, ME & AN ALBUM: (from Al Melchior's podcast page) "Portland indie rock legend Gilly Ann Hanner (Calamity Jane, Starpower, Braille Stars, No. 2, Desír) drops by the show to introduce Al to X's 1983 album, More Fun in the New World. Gilly talks about how she first learned about X, why this album is one of her favorites and how it has influenced her music. She also talks about the recently-released albums by Desír and No. 2, and the time that Calamity Jane opened for Nirvana in Argentina. Al mentioned in this episode that he wrote a piece for Bandcamp Daily about No. 2 and their new album, First Love. You can read it here: https://daily.bandcamp.com/features/no-2-first-love-interview Keep up with Gilly and her bands on Instagram Gilly: @gillyann Desír: @desirmusique No. 2: @___numberdeux___ you can buy or stream her music on Bandcamp. Desír: https://desirmusique.bandcamp.com/ No. 2: https://no2music.bandcamp.com/album/first-love Braille Stars: https://braillestars.bandcamp.com/album/golden-dream " ![]() LISTEN TO YOU, ME & AN ALBUM PODCAST HERE: podcasts.apple.com/us/podcast/90-gilly-ann-hanner-discusses-x-more-fun-in-the-new-world/id1545282273?i=1000584416714 DESÍR, KIDS, & Beetroot LIVE 11/4/22!Next DESÍR show is Friday November 4 at the High Water Mark Lounge 6800 NE Martin Luther King Jr Blvd, Portland, OR 97211 www.highwatermarklounge.com/ ![]()
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I am a musician, writer, mother, and small business owner based in Portland, Oregon. I started my studies as a Music Major at Southern Oregon University and transferred to The Evergreen State College where I completed a B.A. in Liberal Arts. I focussed on writing, music, language and recording/engineering. During my studies, I began performing at poetry readings, experimental music ensembles, and spoken word performances in Olympia and Seattle. I was recruited to play guitar in punk group Sister Skelter, whose handful of shows included a house party with Nirvana in 1988, initiating my entry into the world of DIY punk rock.
I formed the seminal punk band Calamity Jane later that year, performing regularly in the PNW and relocating to Portland in 1989. I sought to transform the role of women in punk rock by working with female bandmates, crew workers, and booking female and LGBTQ rock shows. I was fortunate to be playing alongside musicians like Babes in Toyland, Scrawl, L7,Lydia Lunch, Exene Cervenka, and Kim Gordon who paved the path I took. The scene in the PNW had a male-heavy rock bias that was dominated by labels like SubPop, yet we were part of a groundswell of the sociopolitical gender equality tactics that were later taken up by the RiotGrrl movement. Calamity Jane toured North and South America, releasing a string of singles and recording a full-length at Reciprocal Recording in Seattle with Brad Wood(Liz Phair, Veruca Salt). In 1991, the band went from a trio to a four-piece and changed drummers, recording a second album that was never released. Calamity Jane disbanded in 1992 following a brutal and historic stadium show supporting Nirvana in Buenos Aires, Argentina. Since that time, I have toured internationally, regularly releasing records and actively performing as a multi-instrumentalist, studio and collaborative musician. My work as a principal songwriter/guitarist/singer as well as bassist/backing vocalist has allowed me to experience recording and live performance from several perspectives. I have worked at honing my art and getting it to an audience, and am proficient in every facet of independent music: songwriting, arrangement, artwork creation/layout, coordination of manufacture & distribution of albums, tour booking, performing for crowds as small as 2 and as large as 30.000. I have two current musical projects in process: Desír and NO.2. Both bands have finished recording albums to be released in 2022, and will be touring as is possible. Due to pandemic restrictions and cancellations, it is increasingly imperative that musicians incorporate videos and consider new avenues to reach audiences. During quarantine 2020, a remote collaboration with visual artist and musician James Boulton from L.A. culminated in the band Desír; we self-released a single in December 2020. I received a RACC Make/Learn/Build Grant in May of 2021 to start recording an album. We added drummer Wes Garcia and recorded a full length album at Jackpot Recording Studios with Larry Crane in July & September. Desír played our first live show at Mississippi Studios (Portland,Or) in August following an extended quarantine shut-down of live venues. We plan to release our album Desír: DESÍR in early 2022 on our own record label and film a series of short film/music videos incorporating the new work. We hope to play live shows as well, but know that with the continued limitations presented by the pandemic it is essential to expand our methods of audience engagement. In 2019, after a lengthy hiatus, No.2 reformed and began working on a new album. My role as bassist and backing vocalist allowed me to add to the compositions that Singer/songwriter/guitarist Neil Gust brought to the band. Our process was slow and painstaking due to the distance between us: Neil lives in Brooklyn, NY and the drummer Paul Pulvirenti and I live in Portland, OR. We shared musical files and worked on songs by way of home recording and infrequent in-person practices and recording sessions. After 2 years of collaboration, we are releasing a full-length album in 2022 on the Jealous Butcher label. EDUCATION: The Evergreen State College. B.A. Liberal Arts 1989. Olympia, Wa Spoken word and musical performances. Fringe Festival. 1987-89. Olympia, Wa Eugene Chadbourne’s Guitar Orchestra. 1988. Olympia & Seattle, Wa Towards a New Music Theater: dance/music/program writing. 1988. Olympia, Wa Recording Engineer internship YoYo Studios. 1989. Olympia, Wa Radio performances KAOS, WFMU, KPFK, KBOO, KXLU. 1988-92, 2010. USA Project Management; AIMFEST. Alternative Independent Music Fest. 2000. Portland. Or Live Sound Engineer and Tech at Concert Sound. 1999. Portland, Or SKILLS: Writing lyrics/poetry, composing and arranging music. Guitar, Bass, Vocals. organ, percussion, drums. Recording engineering, mixing, production. Artwork creation and coordination. Coordinating, Booking, managing performance tours. Installing, operating and light repair of sound equipment and stages for live music performances. Creating websites, social media profiles; maintaining activity to engage and retain fanbase. Managing/maintaining interpersonal band communication, operations. Budgeting per-diems, rehearsal space, equipment, project costs. Grant and funding application. Small Business owner, tax preparation, license renewal, booking, personal relations, financial, inventory EXPERIENCE: Desír : Guitar/Vocal/Lyrics Portland,Or/LosAngeles,Ca—2020-Present Releases: PUGILIST/SEARCH & DESTROY. Dec 2020. Art Trash. Streaming. :DESÍR. 2022. Vinyl/CD/Streaming. Full length album. Videos: Chinese Lion. 2022. Lifeline. 2022. 2021: Live Performance at Mississippi Studios. No.2 : Bass/Vocal- Portland, Or/Brooklyn, NY— 1998/99 & 2019-Present Releases: NO MEMORY. 1999. Chainsaw. CD. Reissued on Vinyl 2015. Jackpot! ALLISTAIR CHESTNUT. 1992. Wicked Witch. 7” vinyl record. YOU MIGHT BE RIGHT. 2020. Jealous Butcher. 7” vinyl record and streaming. FIRST LOVE. 2022. Jealous Butcher. Vinyl/Streaming. Full length album. Videos: You Might be Right. May 2020. I’m on a Mission. 2021. Model of the Universe. 2021. 1999 US Tour supporting Elliot Smith. Braille Stars : Guitar/Vocal/Lyrics/Organ/Bass— Portland, Or — 1998-2000 & 2018-2020 Releases: GOLDEN DREAM 2000. Wicked Witch Records. CD BEAUTIFUL FICTION 2002. Fields & Streams compilation. Kill Rock Stars. CD 2000. West Coast Tour supporting Quasi. 2018-2020. live shows in PNW. Consolidated : Bass—Portland, Or—1997 1997. European tour. Semisweet : Guitar/Vocals/Lyrics— Portland, Or—-1996-1997 Releases: HAJIME 1997. Pagoda/Self-released. CD 1997. US Tour. Starpower : Guitar/Bass/Vocal/Lyrics— Portland, Or — 1991-1995 Releases: STARGIRL/TREEFORT 1994. Kill Rock Stars. 7” vinyl record. ORBITAL SANDER 1995. Sympathy for the Record Industry. CD 1995. West Coast Tour. Calamity Jane : Guitar/Vocal/Lyrics Olympia, Wa/Portland, Or — 1988-1992/ 2010/2016 Releases: CALAMITY JANE 1989. Yoyo Recordings. Cassette tape. HANG UP/YOU GOT IT ROUGH/OUTTA MONEY 1990. Brimstone. 7” vinyl record. SAY IT/LITTLE GIRL 1991. Imp Records. 7” vinyl record. MISS HELL/MY SPIT 1991. Sympathy for the Record Industry. 7” vinyl record. LOVE SONG/BELIEVE 1992. Tim/Kerr Records. 7” vinyl record MARTHA JANE CANNARY 1992. SMR Records. CD and Vinyl Record 1990. US Tour. 1992. No On 9 Benefit Concert supporting Nirvana/Poison Idea/Helmet. Portland, Or. 1992. US Tour. Rock & Pop Festival supporting Nirvana. Buenos Aires, Argentina. 1995. NOT BAD FOR A GIRL Lisa Apramian Film. Los Angeles, Ca. Interview and live performance. Sister Skelter : Guitar/Songwriting Olympia, Wa —1988 Live shows in Olympia including Smithfield Cafe and a House party with Nirvana May 14, 1988 where we performed the song ‘Greatest Gift’ by Scratch Acid with Kurt Cobain on vocals. .Desír.
Desír is PDX musician Gilly Ann Hanner(Of seminal punk band Calamity Jane, post pop rockers No.2, &improv duo Braille Stars) and LA artist James Boulton. They formed in 2020 as a long-distance sound collaboration.A modern love story with a post-punk soundtrack: they started writing songs before they met in person, sending sonic missives from PDX to LA and back. Meeting in the dead quiet of lockdownin LA, then during the riotous racial justice protests of PDX, they recorded a single “Pugilist/Search & Destroy”(2020)in a practice space. Their music is a shrewd combination of heavy guitars, skilled rhythms, sci-fi punk dreamscapes and powerful vocals. In 2021, they recruited drummer Wes Garcia and recorded at Jackpot Recording (Portland,OR) with longtime collaborator producer/engineer Larry Crane. Their handful of live shows include their Record Release at Mississippi Studios on 3/17/22. Their debut album “DESÍR”(2022) is out now on Vinyl/CD/streaming. Contact : [email protected] https://desirmusique.bandcamp.comhttps://www.instagram.com/desirmusique/ https://www.facebook.com/desirmusique ![]() Seams Undone. How many facets give spark catch the light driving the dark on past the night catching the rise and fall once we start there is no stopping unbound hearts My seams come undone when you melt into me blurring lines between where we meet My heart falters as it divides and multiplies expands like a universe stardust scattershot heat the atmosphere shooting star trails beatific music eardrumming breath I want to feel the silk of your skin to see your beauty at eye open take you in make you come before you go Hold connection despite great distance My seams come undone When you melt into me Blurring the lines between Where we meet Waxing moon... new writings up. New music page updates. Happy New Year!
![]() What I needed was to sleep and sleep and sleep to let go release the construct that has so ill suited me in the past drift in the waters of my unconscious soup become a salamander prehistory precognitive prehensile body Axolotl little dragon shaking off fire and breathing water mastering regeneration transparent skin inside out transmission of a touch to a thought to a feeling that is bigger than the known universe we are ganglia nerve networks that light up as information passes through us we are conduits beacon fires lighting the mountain peaks with our flames each sparked by the torch of another we are immeasurable megawatts of cosmic energy contained momentarily in membranes of glorious human skin when we touch the mere suggestion of what we can be could light a city with electricity buzzing with live wires and dangerous music we are nothing we are everything an electron in an atom so infinitesimal and omnipotent we could disappear at any moment or split into unfathomable power. In the playground where my daughters chased each other up and down the slides shouting future memories a kingdom reigns of my past make-outs and drunken epiphanies the wind picks up catching the last of the day pushing into faded light going blue enter edge of moon train tracks turning the road northeast peripheral woman standing at the edge of transient fires hands raised against the darkness in evening prayer, red scarves flutter mimicking flames in trash can conflagrations Gas lights flicker on overhead as I thread through the underpass the fabric of my skin losing its tight weave- warp relaxing from weft leaving space to let the light through In the gloaming You forget that you are no longer the child Everything comes back black silhouettes on closed eyescreens color obliterated by so much light the aperture closed down to stop the lense from burning You will think it is over But it begins again and again surrender your only defense It’s not that I have lost you
It’s that I have lost the possibility I am in intensive training : how to be fucking solid; strong without breaking; bend and twist adapt adapt adapt, stay focused, hands up, weapon at the neutral ready, get grounded, adjust your stance And Do Not Shut down Love flows through me like blood blooms Colors my skin inside out Grief is an opening a doorway unconditional acceptance powers what will become music, your muscle this glowing heart that won’t quit me Thank you For that
Parallel lines
Impatiently waiting for more insatiable to the core Always reading between the lines always looking for cosmic signs I wanna hear you say go You wanna hear me say no Every touch is too Much But Too much is never enough Parallel lines all the time Parallel lines All the time Out of place out of time In another world, not mine(2x) To change your life You must start with your mind To change your mind Take my hand Hold on tight Side by side |
Gilly Ann Hanner is a writer and musician based in Portland, Oregon. She is mother to two daughters, and is part of various musical projects including
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